Description
Red Helium Weapon 8K
Hiring now at Gear Factory – The Red Helium S35 8K camera!
There’s not much left to say about Red cameras that hasn’t already been said – and probably mostly said by us. We’ve always been big Red fans and have been renting out Red cameras since the Red One in 2007. Gear Factory now has an Red Helium 8K camera to hire.
It’s the latest high performance camera from Red – see below for all the key tech specs. But here are some a quick headlines for you:
34.5 megapixel CMOS sensor. 8192 × 4320 Resolution. 60fps at full frame 8K. 150fps at 4K. Over 16 stops of Dynamic Range.
We’re offing this Red Helium hire to Gear Factory filmmakers with a fantastic fully equipped kit. Which includes all of the following:
- Red Epic Helium Weapon 8k Brain
- DSMC2 V-lock I/O Expander
- SSD Side Module
- Side Kick Control Module
- EF Mount or PL Mount
- Red Weapon OLPF – Standard And Red Weapon OLPF – Low Light
- DSMC2 Red Touch 7.0” Lcd
- DSMC2 Red Touch 4.7” Lcd
- Wooden Camera Side Kick Cheese Plate
- 2x 512gb Mini Mag And 1x 480gb Mini Mag
- Mini Mag Reader Station + Mini Mag Reader USB C Cable
- Red Mains AC Power Pack 4pin
- Wooden Camera Red-w Base Plate Female
- Wooden Camera Base Plate Male
- Wooden Camera A Box Xlr to Mini Jack Adaptor (With 15mm Rail Adaptor)
- Dtap Splitter
- Red Tool with Pouch
- 2x Pag Link Vlock 100wh
- 2x Pag Link Vlock 150wh
- Pag L90 Slim
- 2x Pag Link Charge Head
- 2x Pag Mini Travel Chargers
- Pag Link Power Hub
- Manfrotto Hd 402 Tripod
- A-box
Phew! Quite a package. So what are you waiting for – pair this Red Helium with some of our awesome glass and you are ready to make yourself a Hollywood movie.
Red Helium 8K – Tech Specs:
SENSOR TYPE |
HELIUM 35.4 Megapixel CMOS |
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EFFECTIVE PIXELS | 8192 × 4320 | |
SENSOR SIZE | 29.90 mm x 15.77 mm (Diagonal: 33.80 mm) | |
DYNAMIC RANGE | 16.5+ stops | |
MAX FRAMERATES | 60 fps at 8K Full Format (8192 × 4320), 75 fps at 8K 2.4:1 (8192 × 3456)
60 fps at 7K Full Format (7168 × 3780), 75 fps at 7K 2.4:1 (7168 × 3024) 75 fps at 6K Full Format (6144 × 3240), 100 fps at 6K 2.4:1 (6144 × 2592) 96 fps at 5K Full Format (5120 × 2700), 120 fps at 5K 2.4:1 (5120 × 2160) 120 fps at 4K Full Format (4096 × 2160), 150 fps at 4K 2.4:1 (4096 × 1728) 150 fps at 3K Full Format (3072 × 1620), 200 fps at 3K 2.4:1 (3072 × 1296) 240 fps at 2K Full Format (2048 × 1080), 300 fps at 2K 2.4:1 (2048 × 864) |
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MAX DATA RATES | Up to 300 MB/s using RED MINI-MAG (480GB & 960GB)
Up to 225 MB/s using RED MINI-MAG (120GB & 240GB) |
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PLAYBACK FRAME RATES
(PROJECT TIMEBASE) |
23.98, 24, 25, 29.97, 47.95, 48, 50, 59.94, 60 fps, all resolutions | |
REDCODE SETTINGS
RANGE FROM 2:1 UP TO 22:11 |
5:1 REDCODE for 8K Full Format (8192 × 4320) at 24 fps
12:1 REDCODE for 8K Full Format (8192 × 4320) at 60 fps 2:1 REDCODE for 4K Full Format (4096 × 2160) at 24 fps 3:1 REDCODE for 4K Full Format (4096 × 2160) at 60 fps |
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REDCODE RAW
ACQUISITION FORMATS |
8K Full Format (8192 × 4320), 2:1, 2.4:1, 16:9, 14:9, 8:9, 3:2, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x
7K Full Format (7168 × 3780), 2:1, 2.4:1, 16:9, 8:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x 6K Full Format (6144 × 3240), 2:1, 2.4:1, 16:9, 8:9, 3:2, 4:3, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x 5K Full Format (5120 × 2700), 2:1, 2.4:1, 16:9, 8:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x 4K Full Format (4096 × 2160), 2:1, 2.4:1, 16:9, 8:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, 1:1, and Ana 2x, 1.3x 3K Full Format (3072 × 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x 2K Full Format (2048 × 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x |
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APPLE PRORES | ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 4K (4096 × 2160) up to 29.97 fps
ProRes 4444 XQ and ProRes 4444 at 2K (2048 × 1080) up to 120 fps ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 2K (2048 × 1080) up to 120 fps |
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AVID CODECS | DNxHR HQX at 4K (4096 × 2160) 12-bit up to 29.97 fps
DNxHR HQ, SQ and LB at 4K (4096 × 2160) 8-bit up to 29.97 fps DNxHR 444 at 2K (2048 × 1080) 12-bit up to 120 fps DNxHD 444 and HQX (1920 × 1080) 10-bit up to 120 fps DNxHD HQ, SQ and LB (1920 × 1080) 8-bit up to 120 fps |
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CONSTRUCTION | Aluminum Alloy | |
WEIGHT | 3.35 lbs (BRAIN with Integrated Media Bay) | |
OPERATING TEMPERATURE | 0°C to 40°C (32°F to 104°F) | |
STORAGE TEMPERATURE | –20°C to 50°C (–4°F to 122°F) | |
RELATIVE HUMIDITY | 0% to 85% non-condensing | |
COLORMANAGEMENT | Supports 33×33×33, 32×32×32, 26×26×26, and 17×17×17 3D LUTs
Variable number of 3D LUT outputs with DSMC2 expander module User programmable shaper 1D LUTs Tetrahedral interpolation, 16-bit processing |
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AUDIO | Integrated dual channel digital stereo microphones, uncompressed, 24-bit 48 kHz
Optional 2 additional channels with DSMC2 expander module, uncompressed, 24-bit 48 kHz |
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REMOTE CONTROL | Integrated R.C.P. WiFi antenna
Ethernet, RS232, and GPI Trigger with DSMC2 expander module |
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MONITOR OUTPUTS | 3G-SDI (HD-SDI) and HDMI with DSMC2 expander module
1080p RGB or 4:2:2, 720p RGB or 4:2:2 480p RGB or 4:2:2 (HDMI only) SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio |
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MONITOR OPTIONS | DSMC2 RED Touch 4.7″ LCD, DSMC2 RED Touch 7.0″ LCD and DSMC2 RED EVF(OLED) with cable-free connection.
RED Touch 9.0″ LCD, RED Touch 7.0″ LCD, RED Touch 5.0″ LCD, RED PRO 7″ LCD, BOMB EVF (OLED) and BOMB EVF (LCOS) compatible with DSMC2 LEMO Adaptor A and LCD/EVF cable. |
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REDCINE-X PRO
DELIVERY FORMATS |
4K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)
2K: DPX, TIFF, OpenEXR (.RED via RRencode plugin) 1080p RGB 4:2:2, 720p 4:2:2 : QuickTime, JPEG, AVID AAF, MXF 1080p 4:2:0, 720p 4:2:0 : H.264, .MP4 |
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VIDEO EDITING SOFTWARE
COMPATIBILITY |
Adobe Premiere Pro, AVID Media Composer, DaVinci Resolve, Edius Pro, Final Cut Pro, Vegas Pro |